戲劇製作《暴風雨》
資料類型：製作背景
作者：汀卡‧傑瑞潔維奇
題名：舞台設計分享
出處：《暴風雨》節目冊
出版地：臺北
出版單位：九歌兒童劇團
日期：2012/4/20
語言：英文
摘要：舞台設計受到台灣的神秘感啟發，劇中「種籽」即是如此產生，而艾麗兒則如火鳥般登場。
I am working with Ivica for many years. We did together over 30 plays for children, young people and few for adults. Few years ago we were working on The Tempest in one small theatre in Croatia. The stage was parted horizontally three spaces. Underneath world of Caliban, space of island for actors and upper world for Ariel.
When he told me that he is doing The Tempest again and ask me to join him in Taiwan I was thrilled. We start to think about The Tempest in completely new context. I have never been so far east, I knew very little about culture and theatre. I said to myself that I am not going to try to imitate your theatre or to do something that I think you will like.
My idea comes out of mystery that your country means to me. I saw that big seeds floating on the sea with lost people on them. They landed on island where Prospero already rules. And then the seeds bloom and we have the forest. I imagined this balls on small platforms on wheels and hollow so the actors can sit inside, hide or push them around just by pulling their legs out. Just playing with different positions of balls we thought of changing places of play.
Ariel was a special task. I wanted him on high circus bicycle, full of long feathers something like a fire-bird. If not bicycle then a tall platform that is somebody hidden or not pushing from underneath. I am counting a lot on help with light. Projections of sea, clouds, nice and stormy.
When he told me that he is doing The Tempest again and ask me to join him in Taiwan I was thrilled. We start to think about The Tempest in completely new context. I have never been so far east, I knew very little about culture and theatre. I said to myself that I am not going to try to imitate your theatre or to do something that I think you will like.
My idea comes out of mystery that your country means to me. I saw that big seeds floating on the sea with lost people on them. They landed on island where Prospero already rules. And then the seeds bloom and we have the forest. I imagined this balls on small platforms on wheels and hollow so the actors can sit inside, hide or push them around just by pulling their legs out. Just playing with different positions of balls we thought of changing places of play.
Ariel was a special task. I wanted him on high circus bicycle, full of long feathers something like a fire-bird. If not bicycle then a tall platform that is somebody hidden or not pushing from underneath. I am counting a lot on help with light. Projections of sea, clouds, nice and stormy.
