PRODUCTION The Moving Forest [Yidong de senlin]
Data Type:production background
Author:Wang, Zheng-fen
Title:Director's Notes
Source:"My Dinner with Shakespeare" Performance Program
Place:Taipei
Publisher:The Party Theatre Group [Tongdang jutuan]
Date:2005/4
Pages:2-3
Language:Chinese
Abstract:Believing that Macbeth is merely a body manipulated by prophecy and reality, the director uses an empty frame and the actor’s body to present The Moving Forest, in which one actor plays three characters.

當生命褪去時,軀殼亦有如一個空盪的框架

英國著名畫家威廉•布雷克(William Blake) 從莎士比亞的《馬克白》一劇得到靈感因而創作了「憐憫」,我看完全本的《馬可白》之後,除了憐憫之外更感受到當下生命的重要性,生命只是藉由我們的軀殼作呈現,而馬克白只是被預言與現實所操弄的一個空軀殼,他在追尋一頂無法加冕於自己頭上的皇冠,在自我矛盾中無法自處,於是我選擇了一個空框架與安忱的身體來詮釋《移動的森林》,劇中的三個角色在安忱身上穿梭進出,時而夫人,時而巫師,同時他也是馬克白。