Source: Twelfth Night
Group: Chinese Culture College, Department of Theatre Arts [Zhongguo wenhua xueyuan xiju xi]
Premiere: 1980
Place: Taipei
Venue: National Taiwan Arts Education Center [Guoli Taiwan yishu jiaoyu guan]
Director: Hung, Simon Shan-chun; Chen, J. S.
Crew: Chang, Chi-yun (presenter); Pan, Wei-ho (presenter); Li, Shyh-fen (producer); Yang, Jin-bang (producer); Su, Zi (advisor); Inn, Tina (back stage manager); Yu, G. R. (house manager); Hu, Cheh-min (artistic director); Hu, Cheh-min (poster design); Meng, C. C. (set design); Hou, C. P. (technical director); Chien, Yen-ching (technical director); Xu, Zhi-ming (composer); Chen, Zhen-tang (composer); Wu, Wen-tung (song writer); Yeh, Wei-shin (lyrics); Jiang, C. J. (production assistant); Shih, W. F. (production assistant); Dai, Wen-zhe (stage manager); Chen, H. R. (costume design); Chang, T. T. (lighting); Chen, J. H. (lighting); Wang, C. M. (lighting); Jeng, Y. H. (sound effect); Lin, S. C. (sound effect); Wei, H. J. (set crew); Ho, S. G. (set crew); Wu, G. T. (set crew); Hwu, K. S. (set crew); Chen, Y. C. (set crew); Lee, Y. M. (large props); Chen, S. L. (large props); Chang, W. C. (large props); Yue, B. N. (hand props); Lin, Y. S. (hand props); Chiang, Z. G. (costumes); Shih, I. L. (costumes); Chang, T. L. (makeup); Horng, Y. S. (makeup); Shu, B. (makeup); Tsai, M. D. (photographer); Chen, J. H. (photographer); Tang, R. J. (general affairs); Chen, P. L. (continuity supervisor); Jia, J. W. (continuity supervisor); Chang, J. Y. (box office); Liou, D. M. (box office); Ching, S. F. (box office); Shan, C. C. (box office); Pung, D. Z. (box office); Jin, Wei-wen (receptionist); Jiang, Lu-lu (receptionist); Fang, Yan-hua (receptionist); Huang, Andy (receptionist); Chang, Jennifer (receptionist); Zheng, Angela (receptionist); Huang, Xiu-zhen (publicity); Chen, Si-yu (publicity); Jou, R. H. (publicity); Chu, Y. J. (publicity); Huang, H. C. (playbill editor); Chen, S. Y. (playbill editor); Jou, R. H. (playbill editor); Chu, Y. J. (playbill editor); Chen, Zhi-ming (art advisor); Ma, Xiao-jun (orchestra director); Noran, John Eric (conductor); Tang, Zhen (music advisor); Xu, Zhi-ming (deputy conductor); Yu, Mu-ren (musician); Xu, Yao-guang (musician); Wu, Ming-xiao (musician); Di, Yan-hui (musician); Xu, Zhi-ming (musician); Guo, Shu-fen (musician); Gou, Jia-yu (musician); Chen, Bi-juan (musician); Chen, Zhen-tang (musician); Cai, Qian-wen (musician); Zhang, Heng-ning (musician); Lin, Chun-man (musician); Xie, Qing-juan (musician); Shen, Yao-qi (musician); Liu, Yun-xiao (musician); Zhong, Yu-xiu (musician); Wu, Hong-yi (musician); Zhang, Wei-neng (musician); Lin, Shi-zong (musician); Xu, Hong-yan (musician); Zhang, Yue-gui (musician); Deng, Ting-ling (musician); Xu, Jia-min (musician); Zhou, Zhe-ming (musician)
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Cast: Liou, D. M. (Viola); Ho, C. G. (Duke Orsino); Chu, Y. J. (Olivia); Jia, C. W. (Sebastian); Lin, Y. S. (Malvolio); Jou, R. H. (Maria); Chiang, T. G. (Sir Toby Belch); Hsu, B. (Sir Andrew Aguecheeck); Shih, I. L. (Feste); Lu, G. C. (Fabian); Chao, J. H. (Antonio); Pan, Z. R. (Captain); Quach, W. L. (Valentine); Shown, J. L. (Curio); Shih, W. F. (Priest); Lai, F. F. (Servant); Wang, H. L. (Officer); Hsu, J. A. (Officer); Quach, M. C. (Singer); Lin, C. M. (Harpist); Chen, G. H. (Cleaner); Wei, H. J. (Cleaner); Chen, Y. C. (Cleaner); Tsai, D. F. (Cleaner); Lee, G. W. (Cleaner); Liou, J. C. (Cleaner)
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Language: Mandarin
Genre: drama
Rights: Chinese Culture College, Department of Theatre Arts [Zhongguo wenhua xueyuan xiju xi]
Twelfth Night [Di shier ye]
FILES  
Introduction; 
production background (10); 
program (1); 
photo (1); 
design (2); 
publicity (1); 
essay (3)
This is the production by the fourteenth graduating class. Hoping to repeat the success of the previous year's A Midsummer Night's Dream, the team presents another comedy. Incorporating concepts from traditional Chinese theatre, the director adopts an impressionist scene design and live music, and arranges to have visible "stage hands," who are both actors and onlookers.
1.
Data Type: production background
Source: Twelfth Night Performance Program
Place: Taipei
Publisher: Department of Theatre Arts, Chinese Culture College [Zhongguo wenhua xueyuan xiju xi]
Date: 1980/5/7
Language: Chinese
Abstract: The article discusses Shakespeare’s life, periodization of his works, and the theatre in his time.
2.
Data Type: production background
Author: Chen, Hui-ru
Source: Twelfth Night Performance Program
Place: Taipei
Publisher: Department of Theatre Arts, Chinese Culture College [Zhongguo wenhua xueyuan xiju xi]
Date: 1980/5/7
Language: Chinese
Abstract: In addition to showing the temporal-spatial background and the character’s identity and personality, costume design also involves matching colors and lines and giving consideration to the actor’s movements.
3.
Data Type: production background
Author: Hung, Shan-chun
Source: Twelfth Night Performance Program
Place: Taipei
Publisher: Department of Theatre Arts, Chinese Culture College [Zhongguo wenhua xueyuan xiju xi]
Date: 1980/5/7
Language: Chinese
Abstract: The director emphasizes characterization. Groundbreaking features of the play include a simple set design inspired by jingju as well as live orchestra accompaniment.
4.
Data Type: production background
Author: Li, Shyh-fen
Source: Twelfth Night Performance Program
Place: Taipei
Publisher: Department of Theatre Arts, Chinese Culture College [Zhongguo wenhua xueyuan xiju xi]
Date: 1980/5/7
Language: Chinese
Abstract: To introduce plays in different styles to the audience, the Department of Theatre Arts will present Twelfth Night and the famous French play The Cid at the 11th Hwa Kang Arts Festival. The department chair believes that the value of drama is that it captures the common experience of the humanity; he also agrees on the view that audience plays a central role in a stage performance.
5.
Data Type: production background
Author: Niu, Chuan-hai
Source: Twelfth Night Performance Program
Place: Taipei
Publisher: Department of Theatre Arts, Chinese Culture College [Zhongguo wenhua xueyuan xiju xi]
Date: 1980/5/7
Language: Chinese
Abstract: Twelfth Night is a love story about twins and cross-dressing, a then-common theme written in a poetic and humorous tone. As an entertainment show for a religious holiday, the play was made to bring festivity rather than giving a profound depiction of humanity. The role of Viola is the focus of interest.
6.
Data Type: production background
Author: Hu, Ze-min
Source: Twelfth Night Performance Program
Place: Taipei
Publisher: Department of Theatre Arts, Chinese Culture College [Zhongguo wenhua xueyuan xiju xi]
Date: 1980/5/7
Language: Chinese
Abstract: The author holds the view that poster design for plays and films should bring about a direct and dramatic effect in a representational form. Based on the structure of a cobweb, the composition of the poster for Twelfth Night represents the intertwining plotlines between the characters.
7.
Data Type: production background
Author: Meng, Zhen-zhong
Source: Twelfth Night Performance Program
Place: Taipei
Publisher: Department of Theatre Arts, Chinese Culture College [Zhongguo wenhua xueyuan xiju xi]
Date: 1980/5/7
Language: Chinese
Abstract: The set designer replaces the "multiple platform" convention with 2-dimensional scenes. "Cleaners,” who are both actors and onlookers, are employed on stage for scene change.
8.
Data Type: production background
Source: Twelfth Night Performance Program
Place: Taipei
Publisher: Department of Theatre Arts, Chinese Culture College [Zhongguo wenhua xueyuan xiju xi]
Date: 1980/5/7
Language: Chinese; English
Abstract: a list of reference books and Shakespeare's works
9.
Data Type: production background
Source: Twelfth Night Performance Program
Place: Taipei
Publisher: Department of Theatre Arts, Chinese Culture College [Zhongguo wenhua xueyuan xiju xi]
Date: 1980/5/7
Language: English
Abstract: synopsis
10.
Data Type: production background
Source: Twelfth Night Performance Program
Place: Taipei
Publisher: Department of Theatre Arts, Chinese Culture College [Zhongguo wenhua xueyuan xiju xi]
Date: 1980/5/7
Language: Chinese
Abstract: synopsis
1.
Data Type: program
Place: Taipei
Publisher: Department of Theatre Arts, Chinese Culture College [Zhongguo wenhua xueyuan xiju xi]
Date: 1980/5/7
Language: Chinese
Abstract: The program contains a list of cast and crew, a synopsis, notes from the production team, essays, photos and music scores.
1.
Data Type: photo
Place: Taipei
Publisher: Department of Theatre Arts, Chinese Culture College [Zhongguo wenhua xueyuan xiju xi]
Date: 1980
Abstract: 44 photos
1.
Data Type: design
Author: Ye, Wei-xin (lyrics); Wu, Wen-dong (music)
Source: Twelfth Night Performance Program
Place: Taipei
Publisher: Department of Theatre Arts, Chinese Culture College [Zhongguo wenhua xueyuan xiju xi]
Date: 1980/5/7
Abstract: music score
2.
Data Type: design
Author: Ye, Wei-xin (lyrics); Wu, Wen-dong (music)
Source: Twelfth Night Performance Program
Place: Taipei
Publisher: Department of Theatre Arts, Chinese Culture College [Zhongguo wenhua xueyuan xiju xi]
Date: 1980/5/7
Abstract: music score
1.
Data Type: publicity
Source: Twelfth Night Performance Program
Place: Taipei
Publisher: Department of Theatre Arts, Chinese Culture College [Zhongguo wenhua xueyuan xiju xi]
Date: 1980
Language: Chinese
Abstract: 1 poster
1.
Data Type: essay
Author: Hu, John Y. H.
Source: Twelfth Night Performance Program
Place: Taipei
Publisher: Department of Theatre Arts, Chinese Culture College [Zhongguo wenhua xueyuan xiju xi]
Date: 1980/5/7
Language: Chinese
Abstract: The author talks about the title as well as the creation background of Twelfth Night and wonders how the current production will treat the character Malvolio. He also pays tribute to Chinese Culture College for performing Shakespeare over the years, an important endeavor in the history of Chinese theatre.
2.
Data Type: essay
Author: Yen, Joseph
Source: Twelfth Night Performance Program
Place: Taipei
Publisher: Department of Theatre Arts, Chinese Culture College [Zhongguo wenhua xueyuan xiju xi]
Date: 1980/5/7
Language: Chinese
Abstract: Youthful and festive, Twelfth Night is a romantic play fit for the Epiphany. Shakespeare turns conventional materials of "love's adventure" into a great comedy with intense drama and ingenious language.
3.
Data Type: essay
Author: Li, Ang
Source: Twelfth Night Performance Program
Place: Taipei
Publisher: Department of Theatre Arts, Chinese Culture College [Zhongguo wenhua xueyuan xiju xi]
Date: 1980/5/7
Language: Chinese
Abstract: The author considers Twelfth Night the greatest romantic comedy by Shakespeare with its vivid depiction of romantic love.